“Could it be our last prompt word of Writing 201: Poetry? Already?! Let’s keep our spirits up by focusing on whatever it is that’s coming next. Whether it’s about tomorrow, next October, or the year 2345, let today’s poem be inspired by your vision of the future. (Fears, hopes, and plans are equally acceptable, of course. So are robots and hoverboards.)
You didn’t think we’d end a poetry course without a single word on (arguably) the most iconic form of them all — the sonnet? From Petrarch to Shakespeare to Lorca to Heaney, it’s a form that’s has endured dozens of vogues, backlashes, and comebacks — it will bury us all. It will outlive the cockroaches.
In some ways, the sonnet is easy: you get 14 lines of verse, usually grouped into four stanzas of 4-4-3-3 lines each (alternatively: two groupings of eight and six lines, respectively). Sonnets used to be written in metered verse (like alexandrines in French and iambic pentameter in English, for example), but many modern poets forego the meter altogether, or at least don’t use it consistently. Sonnets also tended to be written using any number of established rhyming schemes (for example, Shakespeare’s abab cdcd efef gg), but that, too, is no longer a formal requirement. (If you’re a sonnet purist, or the ghost of Shakespeare, please forgive me!)
The last device we’ll explore together in this course is one of my favorites — the chiasmus (key-AHS-mus). At its simplest, a chiasmus is essentially a reversal, an inverted crossing (it got its name from the greek letter chi – X). How can we use it? Let Snoop Dogg show us the way: Laid back, with my mind on my money and my money on my mind” https://dailypost.wordpress.com/dp_assignment/writing-201-future/ ”
What Took You So Long?
I wish I was there to kiss and love you, my lover not yet kissed
and tell you you’re the coolness of my crying eyes
We could drive all night joy in our car, pretend we’re teenagers joyriding
and stop on Primrose Hill to watch Saturday fall and Sunday rise Continue reading